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But kung fu’s a broad church, and there’s no reason that with spectacular enough scenes, there might not be a good time to be had. Unfortunately, the titular sorceror Fa Hai (Li), who believes demons and humans can never live together, and his bumbling sidekick Neng Ren ( Wen Zhang) are wandering the country battling demons wherever they find them, and having dispatched an ice witch in the opening, soon find themselves on White Snake’s trail.Īs far as we can tell, it hews relatively close to the original myth, which might explain why the film departs from the good-and-evil narrative that Western audiences might expect there’s no real villain, the narrative is quite episodic, and there is, in this version at least, a religious deus ex machina that makes us believe the film’s intended to be a kind of parable. She contrives events so they meet, and the two are soon wed, although Xian believes that she is a woman name Sou. In this take, White Snake ( Eva Huang, of “ Kung-Fu Hustle” fame), a 1000-year-old snake demon, falls in love with Xu Xian ( Raymond Lam), a young herbalist who aspires to become a doctor, against the warning of her companion Green Snake ( Charlene Choi).
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The film is based on a famous Chinese legend, generally known as the “ Legend of the White Snake,” one that has served as inspiration for hundreds of operas in China, as well as a number of films and TV programs, perhaps most notably Tsui Hark‘s 1993 “ Green Snake,” with Maggie Cheung. ” Directed by Tony Ching, who not only helmed the classic “ A Chinese Ghost Story ,” but also served as action director/choreographer on the high octane likes of “ Shaolin Soccer ,” “ Hero ” and “ House of Flying Daggers ,” expectations were high that at the very least that we’d see some spectacular fight sequences, and possibly even something that transcends the genre. 2011 was a little lighter on the chop-socky, but if there was a single film that let film critics scratch their face-punch itch, it was the Jet Li vehicle “ The Sorcerer & The White Snake. 2010, in fact, was something of a banner year for action at the festival, with “ 13 Assassins ” and ‘ Detective Dee ‘ in competition, and “ Machete ,” “ The Town ,” “ Reign of Assassins ” and “ Legend of the Fist ” all playing out of it.
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It might have a highbrow reputation (something anyone who’s caught one of the sidebars can confirm), but that doesn’t mean that the organizers of the Venice Film Festival don’t like to watch a little ass get kicked sometimes.